The books listed below are just some of the fine volumes you can find about pantomime. Some of the books below are out of print but you may find the links at the bottom of the list will help you find them, alternatively Amazon can source the books with hyperlinks but they are not the only suppliers available. If you would like to suggest a book which is not listed, please send your suggestion to

Published by Glasgow Publications

Now for the first time, the compelling story, fully illustrated, of the famous Alhambra Theatre, which started with the trans-Atlantic expansion of entertainment linking London, Glasgow, Paris, Berlin, San Francisco and New York.

Told by Graeme Smith, author of The Theatre Royal - Entertaining a Nation.


          Published by Crowood Press   ISBN 978-1847972552

Pantomime is a much-loved national institution, but how is it created? What tools and processes are used? Working from purely a title, this practical book explains how a script and a design can develop together through the creative processes to culminate in the wonder and excitement of a unique production on opening night.


·          Explains how to get started in writing and designing an original pantomime.

·          Uses major professional productions to illustrate established techniques and new innovations.

·          Examines pantomime traditions and scene structure and how these can be utilized in productions today.

·          Describes how staging design can influence the narrative.

·          Looks at how pantomime characters develop through their costume.

·          Explores the tricks and magic essential for pantomime.

·         Shows visuals from a range of productions from small regional through to large commercial pantomimes.


          Published by I B Tauris & Co Ltd   ISBN 978-1848854307

Who was Dan Leno? In 1901 everyone in Britain knew who he was. They had seen him live on the music hall stage, listened to his jokes on the new gramophone and watched his funny antics in some of the earliest moving pictures. Even King Edward VII was a fan and the popular press dubbed Dan Leno 'The King's Jester'. But his path to fame was a hard one: he journeyed from being a child performer in the London and Liverpool slums to a chaotic career in hard-bitten northern variety theatres. Dan became the nation's favourite comedian, but as one of the first mass media stars he suffered from this continual exposure and died at the early age of forty three. Drawing on many previously unused sources, this is first, authoritative, biography of Dan Leno. Only Charlie Chaplin, often compared to Dan in style and appearance, was to occupy a similar position in the hearts of the British public. In telling the full story of Dan's life and career on the stage and screen, Barry Anthony brings to life the everyday life of Victorian Britain, as well as Dan's unique brand of humour and its resonance with later comedians such as Spike Milligan and the Monty Python team.


'Barry Anthony has learned so much more than I about the great little clown who became the King's Jester. He has brought it all together in this fascinating and so well documented story of Dan Leno's life and times.' - Roy Hudd President of the British Music Hall Society


          Published by Weidenfeld & Nicolson  ISBN 978-0297855620

A British Comedy Award for Lifetime Achievement, A 'South Bank Show' retrospective, a C.B.E. (she insists it means 'Caught Before Expiry'), twice the recipient of a red book on 'This Is Your Life' and with every major comedy star of the last half-century amongst her most ardent admirers, June Whitfield is a legend, a legend who in her 80's still gets up at dawn to prepare for yet another day in front of the cameras. In her long and rich career she has kept meticulous scrapbooks and these form the backbone to this highly illustrated account of her life and times. It is peppered with hilarious anecdotes and sage reflections on the cast of stars she has worked with as well as recounting some of the most iconic moments in comedy history. To no one else has the description 'National Treasure' been more appropriate.



Published by Glasgow Publications  ISBN 978-0955942006


From Cowcaddens to the Colosseum, from Hope Street to Hollywood ………for entertainment, drama, pantomime, music and song this is the fascinating story told for the first time of the Theatre Royal ………. in full colour, with 312 pages and over 400 illustrations of the people, performances and city it grew up with. Emerging from Music Halls to an Opera House and the national home of Scottish Opera and The Scottish Ballet the Theatre Royal is the oldest theatre in Glasgow, opening in 1867, and the longest running theatre in Scotland. It is also the largest example in Britain of the theatre designs of Charles Phipps.

Pantomime, plays, spectaculars, silent films, circuses, ballet, opera and television grew up with the Royal. Original documents trace its life and personalities, from its parentage in the 18th century, the influence of the Glover family here and overseas, its links with fine arts and the International Exhibitions, all expressing the confidence of Glasgow and the context of its times. It is also the birthplace of Howard & Wyndham Ltd, one of Britain's major theatre companies, thanks to the Simons fruit businesses in Candleriggs; and the birthplace of STV commercial television in Scotland, thanks to Canadian Roy Thomson. For an encore there is a history of the previous Theatre Royal in Dunlop Street. Let the curtain rise!

            Available from its website


Published by Jeremy Mills Publishing   ISBN 978-1-906600-39-6

The glamour, the excitement, the riotous laughter, the beauty and the memories; Chris Woodward succeeds in capturing them all in his chronicle of the London Palladium over the century of its existence. He draws on the experiences and memories of the countless individuals who have played a part in its journey through the years, from those who experienced its heyday as the flagship theatre for Variety, when it played host to all the stars of the day, to the present time where it has evolved into a venue for hit musicals and popular television programmes. The author’s own vast collection of Palladium programmes and memorabilia helps to bring his account to life with stunning images.


For more information, read the attached information from the publisher. Also details of how to order direct from the publisher.


More information - Normal Version     Limited Edition

Published by Intellect. The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG   ISBN 9781841501741

British pantomime draws audiences into the story, an engagement with the hero, and an empathetic attachment to the success of the quest. Attention is held by the familiarity of the event, and the comedians draw the audience into a relationship of complicity as they unite to create the unique experience of the live interactive performance. The trick of pantomime is to maintain an effective balance between the intellectual appreciation of artifice, the chaotic complicity of interactivity, and the emotional engagement of story-telling. This is an accessible and valuable text that encourages readers to review their assumptions about pantomime and reconsider its importance as a popular theatre form.


To pre-order, complete the attached form and send to the address on the form.

Published by Third Age Press Ltd 2006. 6, Parkside Gardens, London SW19 5EY     ISBN 1 898576 25 4

An exercise in nostalgia, with its perceptive and amusing profiles of scores of well-loved and well-remembered comics, from George Robey and Will Hay, via Max Miller and Tommy Handley, to Tony Hancock and Morecambe and Wise. It is also an analysis of how comedians worked. It contains photographs and playbills from the Patrick Newley collection.

Published by Cassell Illustrated 2005 ISBN 1 84403 345 7

An illustrated book covering theatres both in the UK, America - in particular New York and others. It covers Burlesque, Vaudeville and British Music Hall with some interesting pantomime elements. The Music Hall and pantomime elements are good, and the illustrations excellent.

Published by New Holland Publishers (UK) ISBN 1843307367 - Published 1st November 2004

Dating back to the middle ages, British pantomime has absorbed the traditions of Commedia dell'Arte, Harlequinades, Music Hall and slapstick to produce a unique theatrical tradition. Supported by Iavish archive and contemporary photographs, writer Peter Lathan explores the history and development of panto, discovering where panto gags come from, who is considered to be the greatest Dame of all time and why is it that a girl always plays a boy falling in love with a girl whose mother is a man! All our favourite stories are included - from Cinderella and Aladdin to Jack and Beanstalk and Sleeping Beauty - in this ultimate celebration of Britain's unique love affair with panto. Foreword by John Inman.


Published by Johns Hopkins University Press  ISBN 0801879108 - Published 29th September 2004

In the fall of 1723, two London theatres staged almost simultaneous pantomime performances of the Faust story. Unlike traditional five-act plays, pantomime--a bawdy hybrid of dance, music, spectacle, and commedia dell'arte featuring the familiar figure of the harlequin at its centre--was a theatrical experience of unprecedented accessibility. The immediate popularity of this new genre created the first instance of youth culture in modern Europe, drawing theatre apprentices to the cities to learn the new style, and pantomime became the subject of lively debate within British society. Alexander Pope and Henry Fielding, for example, bitterly opposed the intrusion into legitimate literary culture of what they regarded as fairground amusements, which appealed to sensation and passion over reason and judgment. In Harlequin Britain, literary scholar John O'Brien examines this new form of entertainment and the effect it had on British culture. Why did pantomime become so popular so quickly? Why was it perceived as culturally threatening and socially destabilizing? Among other factors cited by O'Brien, Robert Walpole's one-party rule, which increasingly dampened debate, created a vacuum in the public sphere. Pantomime filled that void with socially subversive commentary. At the same time, pantomime appealed to the abstracted taste of the mass audience. Its extraordinary popularity underscores the continuing centrality of live performance in a culture that is most typically seen as having shifted its attention to the written text, in particular to the novel. Written in a lively style rich with anecdotes, Harlequin Britain establishes the emergence of eighteenth-century English pantomime, with its promiscuous blending of genres and subjects, as a key moment in the development of modern entertainment culture. "John O'Brien's Harlequin Britain is an original and provocative study of the ways in which pantomime, entertainment, and modernity are entwined in English culture. It adds significantly to our understanding of the role of the theatre in the early eighteenth century and makes a compelling case for the significance of theatrical performance to the emergence of the Habermasian bourgeois public sphere."--Robert Markley, University of Illinois

Published by The Crowood Press, Ramsbury, Marlborough, Wiltshire SN8 2HR - ISBN 1861266928

This is a practical guide for people who find themselves involved in putting a pantomime on stage, particularly for those working on limited budgets in smaller venues. Readers can learn to understand your audience and their reactions, control the chaos backstage, find out the secret of pantomime magic and much more. Foreword by Graeme Garden


Review by Nigel Ellacott

Tina Bicat assisted by Ruth Staines and Colin Winslow have created a compact “Hands-on” guide to creating a pantomime from the initial planning stages to the first performance.

Aimed at the small scale professional production and large scale amateur pantomime this book guides the reader from the selection of a suitable script, through the rehearsal process, selecting music , creating the scenery and costumes and practical advice on selling the production even down to the advice on the profitability of “off Sales”!

The middle section is entitled “Pantomime Magic”, where all three authors combine to give a very detailed guide to creating the “magic” element that any pantomime needs to succeed. There is a carefully crafted section on set creation (Colin Winslow) and a section on Stage Management. (Ruth Staines)

From a personal point of view I would have liked to have read a much larger section on costumes, but obviously in a book that covers all the aspects of a production, even down to some very useful advice on licensing juveniles and the PCR requirements of licensing music, it would not be possible to extend every chapter.

It’s an excellent book and an extremely useful one for a society or indeed small scale theatre embarking on their first pantomime, and a very useful reference for companies wishing to extend their boundaries. Useful information like a recipe for making “Slosh” (The Custard Pie routine) and ideas for chaperones to amuse over excited or over tired juveniles between elf entrances are not to be found in other panto books! It is definitely a very practical guide to a subject obviously dear to Tina Bicat’s heart.

My personal preference would be for a section of colour photographs scattered within the pages. There are a great many black and white photos which give the subjects a slightly dated feel to them, and a colourful subject like scenery and costume deserves the addition of some colourful photographs to accompany the text.

Treasurers of amateur companies and directors of small theatres would be well advised to buy a copy of this book to put under the Christmas Tree!

Trapdoor Publications,41, Post Hill, Tiverton, Devon.EX16 4NG ISBN 0954298705

Writer & Performer Norman Robbins has written a book he describes as "not a history, just a broad outline of how British Pantomime evolved - with glimpses of the period, people and events that shaped it, and gives the origins of many "traditional" gags and who devised them.



Published - The Stationary Office Books ISBN 0114402639

Burgeoning Victorian leisure time created demand for a rich diversity of public entertainment, from Punch and Judy shows to lavish spectaculars in London theatres. This collection of posters from the Public Record Office archives reflects this diversity in style and content. Early, fussy designs groaning with text and ornament changed with French influence, creating a bold new art form combining fine art and popular culture.

"The Only known collection of pantomime jokes and sketches in captivity"

Pub Peter Owen. ISBN 0720611466

A paperback book which gives scripted routines from Pantomime sketches/frontcloth gags. Introduction by Roy Hudd.

Gale Research International Ltd. ISBN 1873477457 - Edited by David Pickering & Advisor John Morley.

This reference contains 650 A-Z entries on pantomime, including: characters; works, productions and plots; venues; writers, actors and theatre managers; catch-phrases and technical terms; stage tricks, conventions and themes; and origins and folklore. Additional to the core entries, this book provides information and insights from those in the business. A chronology surveys the evolution of pantomime, from the roots in the Greek theatre, through the Commedia dell'Arte tradition, to the present, complex form of theatre full of topical allusion and satire. The book also looks at pantomime today, evaluating pantomime since World War II by John Morley, who also writes a practical guide, "How to write a pantomime" - all the ingredients for a production are detailed, arming those who wish to stage their own pantomime with all the tips they need. There are interviews with actors Jack Tripp and Roy Hudd, and finally, quotations are included about pantomime from journalists, players, authors and critics throughout the years. An appendix explains how many popular stories have been adapted for the pantomime stage.

Published by Bradford Libraries & Information services, 1989.

ISBN 0 907734 18 9  

Published by the BBC/Crown Publications. ISBN 0 563 20366 8.

A very detailed and useful book about Pantomime, with pictures up to the mid 1980's.

Cortney Publications, Luton.  ISBN 0 904378 13 6

The History of Pantomime, featuring productions by Derek Salberg at the Alexandra Theatre, Birmingham.

Publisher - H. Hamilton ISBN 0241898102

Publisher - Frank Cass  ISBN 0713001348

Published by Cedric Chivers, Portway, Bath. 1938 (first published in 1975 by B.T. Batsford Ltd)
ISBN 0 85997 076 0

A history and recollections of theatrical life during the period 1850's-1930's, especially Music Hall with much cross referencing to pantomime.

Eyre Methuen Ltd ISBN 0 413 32340 4 (Hardback) ISBN 0 413 32350 1 (Paperback)

An interesting look at Pantomime through the ages. It also includes excerpts of Pantomime routines and sketches.

Pub London Oxford University Press  - ISBN 0 19 211559 6

Doubtless out of print but available used! Gives the origins of Fairy Tales, and consequently Pantomimes

Published by Shire ISBN 0852632304

Peter Davies, London. ISBN 0432090770

Detailed History of Pantomime with many pictures from the Mander & Mitchenson collection - You will not find these pictures anywhere on the Internet as they are heavily copyrighted.

Harvard University Press. ISBN 0674372751

Oxford University Press ISBN B0000CJCVS

Hutchinson ISBN B0000CJAZ3

MacGibbon & Kee

Published by Barker ISBN B0000CIROR

Published by W.H. Allen  ISBN B0000CIJUC

Museum Press  ISBN B0000CHZM1

The Veteran Dame and Summer Show producer of the “Twinkle” revues.

Published by Home and Van Thal - London - pre ISBN.

An excellent book on pantomimes.

Reprinted in 1974 by Rowman & Littlefield Pub Inc ISBN 0874714850

A Procession of Harlequins, Clowns, Comedians, Principal Boys, Pantomime-writers, Producers and Playgoers

Published in 1946 - pre ISBN.

A very good historic look at pantomimes - including those at the Theatre Royal Drury Lane.  

Published by E.P.Dutton

(Also: Penny Plain Twopence Coloured, by the same author).

Published: Sampson, Low Marston.

Randall (1860-1932) became a star of  Music Hall in the 1880’s, making his first panto appearance as Will Atkins in “Robinson Crusoe”, Theatre Royal Birmingham 1885. He took over from Dan Leno at Drury Lane in 1905, and made several pantomime appearances at the Grand Theatre, Islington in the 1890’s.

Roberts was a pantomime star at Drury Lane, and formed a double act with James Fawn (famous for singing “If you want to know the time, ask a policeman” in 1880-81. Roberts also wrote “The Adventures of Arthur Roberts by rail, road and river” in 1895.

Published by Constable

Re-printed in 1968 Published by Ayer Co Pub ISBN 0405084463

Published by J&J Bennett.

G.H.Chirgwin - Popular in Music Hall and Pantomime in the 1880’s “The White Eyed Musical Kaffir”. Many of his performances were at the Britannia, Hoxton in London.

Published by Methuen

J.Hickory Wood was the friend and Pantomime writer to Dan Leno. His pantomimes were produced at Drury Lane during the Leno years.

Published by Simkin, Marshall, Hamilton, Kent & Co

Published by Greening.

A humorous book, allegedly by Leno himself “A volume of Friviolities: Autobiographical. Historical. Philosophical. Anecdotal and Nonsensical” It sold over 150,000 copies and was reprinted in several formats. An abridged version published in 1968 - ISBN B0000CO67U

Published by Richard Bentley.

These were published in two volumes in 1838 with ten illustrations by George Cruickshank. The memoirs were inaccurate, and were later amended by Charles Whitehead. In 1968 MacGibbon and Kee Published the memoirs with notes and appendices by Michael Findlater.


Other Books about Theatre & Pantomime-

Published by The Crowood Press  - Publishing ISBN 1861264534

This title offers a practical guide to all aspects of this exciting and pivotal job in the theatre, from first receiving the script, through the rehearsal process and production period to putting the show away after the final performance. Topics include: the stage management team - roles and responsibilities; reading the play; working with the play, researching it and making a prompt copy; finding and borrowing props; making realistic stage food and drink; rehearsal process, including technical and dress rehearsals and, finally, stage management in performance. (Foreward by Sir Cameron Mackintosh)

Published by A & C Black ISBN 0713641207

This is a book for everyone involved in staging a pantomime: students, teachers, schools, colleges and amateur groups. The author covers all the information needed for the production, from finding or writing a script to the last night of the show. The practical aspects such as costumes, lighting and scenery are discussed, but the book concentrates on the organization and management aspects: how to run auditions and rehearsals or plan a publicity campaign, and how to get the best results. The book contains useful diagrams and charts, which can be photocopied, and is aimed at directors, actors and backstage teams, both amateur and professional. Music, dance, children, comedy and slapstick and audience participation are all explored.

Published by NMS Enterprises Limited - Publishing ISBN 1901663434

This comprehensive account of the Scottish music hall from the 19th century to the present day includes the shows, the performers and the business, in a survey of recent and modern Scottish showbusiness.

Published by Chris Harris Productions ISBN 0953926702

Published by Benn ISBN 0510141315



Suggested places to start looking for these books !

These links are purely suggestions and their inclusion on the list does not guarantee that they supply the books above.

This page was last updated 30th November 2015

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